Train a Bottle a Girl a Boat Album Art
January 27, 2017 Railroad train – A Girl, a Canteen, a Boat (Album Review)
Pop can sometimes be a dirty word. In its infancy, it was a softer alternative to Rock music, but when we expect at Pop music today, it incorporates elements that span various genres. Pop-Rock band Train appear to be trying to follow the aforementioned multi-genre-Pop sound with their eighth studio album, A Girl, A Bottle, A Boat,viaColumbia Records.
Though the ring began their more than 20-year career as roots rockers, their sound took a shift in 2009 when they fabricated a improvement with the hitting, "Hey Soul Sis," and it seems Train has leaned more than and more heavily in the direction of tricky Pop tunes with seemingly clever, just often head-scratching, lyrics rather than the earnest depictions of beloved and loss on tracks of the past like "Drops of Jupiter (Tell Me)."
Whichever Train one prefers, the band accomplishes what information technology has set out to do on A Daughter, A Bottle, A Gunkhole, and that is to make a fun Popular anthology, even if it does not always seem similar the right fit. It may not provide a deep emotional bear upon, simply this time around, the ring appears to be focusing on eliciting just ane emotion from its audience, happiness.
The opening track, "Drink Up," is an upbeat, peppy canticle for embracing the moment. Even though summertime is all the same a few months away, the track feels like it would fit nicely at outdoor gatherings with its catchy, sing-forth quality. It is hard not to draw similarities to Train'due south previous bout mates, Maroon v, when listening to the melody of the verses in "Drink Up," only the less than original audio aside, the song is a lighthearted, danceable track.
Next up is the band's debut single, "Play That Song," which will immediately brand many remember Tom Hanks and an oversized piano in the film, Big. Catchy does non begin to describe the song since the melody comes from the 1938 tune "Heart and Soul," which many kids go familiar with when learning to play the pianoforte. The tune seems like it could be polarizing for those who either love the "Heart and Soul" tune for its nostalgic quality, or others that have heard the melody so many times they would rather not hear information technology reimagined in a Popular vocal. Either way, many will probably find themselves singing it by the time the second chorus kicks in.
"The News" is a mid-tempo tale of insanity. The track tells a story of a man gone crazy over a woman with lyrics similar, "Now I'yard all covered in red from your lips/Tweaking from seeking the way to your hips/Schizo from your fingertips/Can't seem to finish this twitch." While the beat and melody of the vocal have a slightly sultry border, the extreme lyrics fail to complement the groovier vibe of the track. The adjacent song, "The Lottery," exhibits that aspect of Popular where other genres peak through. The rail has a ascendant Latin flare with the use of an acoustic guitar and fiery percussion that will make listeners feel similar they are about to practise the Conga.
"Working Daughter" feels like it could have been not bad, but information technology never actually gets in that location considering of the lyrical choices. The bulletin of the vocal screams daughter power, and it is a shame that the words are not more than impactful. With lyrics like, "If you ain't sweet similar aspartame," the song does not give off quite as much of a dial. The post-obit track, "Silver Dollar," does not improve the state of affairs and the band sounds too much like they are trying also hard to fit into electric current Pop trends.
There is never annihilation wrong with a little Doo Wop. In "Valentine," the band evokes the sound of the 1950s and it is extremely infectious. It is a sweet little love tune, and with Valentine's Day around the corner, it is an opportune fourth dimension to become familiar with the runway.A Girl, A Canteen, A Boat feels similar a mix of nostalgia and contemporary Pop, where it sometimes works and at other times does not. "What Skillful is Saturday" falls into the latter. The lyrics feel clunky and the melody a bit irksome, and and then, the song never really takes off.
"Loverman" gets it right by combining the by and present with a catchy and retro sounding hook sung by Priscilla Renea against the more modern vocals of Pat Monahan, while "Lost and Institute" falls in line with Train's mission to have fun with this album. It is a celebratory rail with a bit of an '80s vibe, incorporating a horn section and percussion that gives off a Latin flare. Train could have ended the album hither and accomplished their dance party, let's have fun tonight theme, but the terminal track, "You Better Believe," gives us a moment of seriousness and sincerity. It is an inspirational carol that speaks of believing in oneself and it ends the album on an unexpected note.
Train is a band that people either love or hate. Whether their latest album will satisfy existing fans is difficult to say. Some may feel like the band is veering too far into Pop and losing their Rock roots, merely the band has intentionally created this anthology to produce fun, happy music. Overall, they succeed, but at times it feels just a chip too artificially sweet. CrypticRock gives A Daughter, A Bottle, A Boat 3.5 out of v stars.
thompsonhattp1998.blogspot.com
Source: https://crypticrock.com/train-girl-bottle-boat-album-review/
Post a Comment for "Train a Bottle a Girl a Boat Album Art"